Jan Kounen’s Blueberry (2004) – Explore the film’s integration of Moebius’s visual legacy, shamanic consciousness, and the subversion of traditional Western tropes.
Marko
Dedicated curator of rare, cult, and classic art cinema. With nearly two decades spent exploring the fringes of film history, I specialize in bringing forgotten masterpieces back into the light. From gritty noir and avant-garde experiments to the lost treasures of the public domain, my mission is to preserve the cinema that mainstream streaming platforms have left behind
Jun Miyazaki’s 1996 short ‘Rapid Fire’ maps the unpopulated allure of nocturnal Japan through light trails and ambient electronic cool.
E. Elias Merhige’s 1990 silent film Begotten uses heavily degraded black-and-white optical printing to craft a visceral, Gnostic myth of creation.
Shūji Terayama’s 1977 film ‘The Eraser’ literalizes memory loss by physically rubbing out characters and seaside scenes on the film emulsion.
Nigel Wingrove’s 1988 avant-garde debut ‘Axel’ is a wordless, symbolist exploration of desire, ritual, and decadent aesthetics.
Richard C. Sarafian’s 1971 revisionist Western, Man in the Wilderness—a gritty, poetic survival masterpiece starring Richard Harris.
Pen-Ek Ratanaruang’s 2003 masterpiece, Last Life in the Universe—a beautifully melancholic story of isolation, grief, and quiet hope.
South Korean masterpiece, Bad Guy—a brutal, poetic exploration of obsession, class, and toxic codependency.