Call of God (Kone Taevast) Review: Exploring Kim Ki-duk’s Final Film
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This is your life, and it’s ending one frame at a time. You’re sitting in the dark, clutching a lukewarm soda, waiting for the ghost of Kim Ki-duk to speak to you from beyond the grave. The film is Kone Taevast—or Call of God (2022) if you prefer the English title. It’s the final transmission from a man […]
2022 film review, Call of God, final Kim Ki-duk movie, indie cinema, Kim Ki-duk, Kone Taevast, psychosexual drama, surrealist film, Venice Film Festival